About the Enneagram
This site is now under construction


The symbol represented here is called the Enneagram. The origin of the symbol is unknown.
As J.G Bennett in Gurdjieff said A Very Great Enigma (1984).
I read the following on the Enneagram symbol: the Enneagram symbol maps the Universal energy flow; it is a code for the combination of the law of three (male energy) and the law of octave (the female energy); the Enneagram represents a path of the movement of the energy; there is a impact of juxtaposing modes; there is an interplay of opposing energy fields; it’s a system of regeneration and growth; there is a link with the personality; enneagram might be a map of the interaction-configurations of
two interacting forces, each of which can have three energy states; the ancient pyramids, for instance, are built to the exact specifications of the three-dimensional enneagram model; the Enneagram is a classic example of a 'double mandala'.
Many people associate the Enneagram with
the 9 point nonagram or 9 point star. The UES brings to light
how the Enneagram is a part of the complete energy system. The Enneagram represents the 4x and 2x (or halved) vibration within the formation of a nonagram.
The Enneagram motion is only ¼ (a quarter) of the real formula
within the Nonagram. For more clarity on this see the Tab called UES Formula (Code). The UES shows how the Enneagram
contains the 4x action mainly of the UES code and partly a
2x action. The 2x action (motion) can also be seen
as halving instead, when we consider the Enneagram as
a complete and separate motion away from the rest
of the nonagram or UES.


I also want to mention that I do not agree with some who say that number comes first and then structure. I say that structure is created from sound (vibration) and that a number is then allocated to that specific vibration or frequency of the vibration. The number therefore is an indication of the position (angle) as well as the frequency. Thus structures will form irrespective if there is a number supplied or not.







ALL WORK COPYRIGHT BY ETRESIA STRUWIG (2005 SA) 